CLOTHES MAKE THE MAN

While some objects scent a room. Others define it.With the evolution of Chapeau!, Acqua di Parma reminds us that fragrance is as much about form as it is about feeling. Expanding on the playful two-in-one Art Deco silhouette originally conceived by Dorothée Meilichzon, the Maison introduces new reinterpretations that lean further into wit, proportion and collectible design.

This isn’t just a candle. It’s a conversation piece.

The headline arrival is La Chapeau! Piccola — a petite reworking of the dual candle concept. The architecture remains delightfully clever: a 400g candle forms the base, while a 100g candle sits within the hat-shaped lid. Two candles, one sculptural object.

The Art Deco lines are crisp, but the personality is light. A matte, unglazed porcelain base contrasts with a glossy glazed top, finished with a hand-embossed plaque reinterpreting the Maison’s iconic label. It’s tactility meeting tradition.

Hand-poured wax arrives in three radiant hues — yellow for Luce di Colonia, orange for Buongiorno, and blue for Mirto di Panarea. Each colour becomes part of the ritual: scent as atmosphere, object as art.

The new Chapeau! Glass Lids take the original idea — the gesture of tipping a hat — and distil it into something both practical and decorative. Available in varnished yellow, blue and black, the glossy glass lids are designed to sit atop the Maison’s 200g candles, preserving fragrance while adding a refined punctuation mark to the room.

They’re functional, yes. But they’re also a wink. A subtle nod to the playful sophistication that defines the collection.

Through new sizes and considered additions, Chapeau! continues to celebrate Italian lightness and joyful elegance. That balance — between craft and charm, structure and spontaneity — has defined Acqua di Parma since its founding in 1916.

Beginning with the now-legendary Colonia and shaped by the vision of Baron Carlo Magnani, the Maison has long mastered the art of transforming complexity into something that feels effortless.

Chapeau! Evolution feels entirely in keeping with that legacy. It tips its hat to tradition — and then gently reframes it for now.

Because true luxury doesn’t shout. It simply sits beautifully in the room.

There’s a particular kind of optimism that only spring can deliver. Lighter evenings. Bare ankles. The sudden urge to reorganise your life and your wardrobe. For Spring ’26, Wax London leans fully into that feeling with a collection aptly titled The Outside Is On — a reminder that the best looks rarely happen indoors.

Rooted in the brand’s ongoing balance of craft and wearability, the collection feels confident without shouting. It’s relaxed but considered. Practical, but never pedestrian. In other words, exactly where modern menswear should sit.

Wax doesn’t do timid seasonal shifts. Spring ’26 arrives with confident flashes of orange, cobalt blue and rust, woven through a palette that still feels grounded. Texture does much of the talking — bouclé knits, fresh crochet, embroidered jersey — adding depth without heaviness.

Linen tailoring and fluid shirting introduce a refined, modern preppy energy. Think less country club, more creative director on a long lunch.

Key pieces anchor the season. The new Robin suede jacket refines the chore silhouette with supple texture and clean lines — an easy throw-on that looks intentional. The brand’s signature Whiting overshirt returns in fresh colourways, proving once again why it has become something of a Wax staple.

Outerwear expands with the utilitarian Strand jacket, while the Eldon is reimagined in twill floral embroidery — decorative, yes, but executed with restraint. It’s detail that feels lived-in rather than loud.

Spring knitwear is a delicate balance. Too heavy and you’re uncomfortable. Too light and it feels insubstantial. Wax threads that needle with the pointelle Belle polo and open-knit Porto crochet shirts — breathable, textural and ideal for transitional layering.

They’re the kind of pieces that make you rethink how much you’ve underestimated knitwear in warmer months.

Tailoring returns with greater range and versatility. Updated colourways refresh the Fintry blazer and Alp trousers, while the new double-breasted Vigo blazer and pleat-front Aubyn trousers offer sharper lines with effortless ease.

Fabric choice does the heavy lifting here — linen, cotton-Tencel blends and seersucker provide structure without stiffness. It’s tailoring that moves with you, whether you’re navigating a wedding reception or a Wednesday meeting.

Where this collection truly excels is in fabrication and finish. Short-sleeve shirts take centre stage, with intricate appliqué and fluid drape defining the Didcot, Keats and new Curzon styles. Embroidery carries across shirts, jackets and elevated jersey staples like the Milton tee.

Wax’s geometric signatures subtly reappear across coordinated sets and outer layers, creating cohesion without uniformity. It’s recognisably Wax — but never repetitive.

Founded in 2015, Wax London has built its reputation on sourcing distinctive fabrics from sustainable mills and partners who value craftsmanship over shortcuts. Inspiration drawn from travel and British heritage gives the brand its character — pieces designed not just to be worn, but re-worn.

The Outside Is On isn’t just a seasonal tagline. It’s an instruction.

Step outside. Dress like you mean it.

Ahhhhhh there was a time when a lads’ holiday meant budget airlines, questionable apartments and someone losing their passport by day two, happy memories.

Not anymore.

According to booking data released by Extra Ibiza, the modern boys’ trip has undergone a rather serious glow-up. And not the influencer kind. The proper, engineered, high-performance kind.

The headline figure is almost comically decisive: 44% of all ultra-luxury Ibiza bookings are male-only groups. Not couples. Not mixed groups. Not wellness retreats. Just men.

And not boys in the traditional sense either.

Who’s Actually Going?

Founded by 26-year-old Domenique Wissink, Extra Ibiza processed close to 9,000 enquiries last season. Of the clients who actually book, 86% are aged 26–49.

These aren’t fresh graduates on their first commission cheque.

• 37% are founders and business owners
• 19% work in finance and trading
• 14% are tech executives

In other words: the modern boys’ trip is being bankrolled by men who run companies, manage risk for a living and measure their time in billable hours.

Which explains everything about how they travel.

Precision, Not Prolongation

The average group spend? £69,000.

But here’s the detail that matters: this isn’t a two-week Mediterranean drift. It’s short. Sharp. Surgical.

• 61% of villa stays are under five nights
• 74% of yacht charters are single-day
• The dominant booking — one-day yacht plus short villa stay — accounts for 68% of all trips
• Nearly a third of bookings are made in the same week as travel

This is leisure designed with the efficiency of a board meeting. Three or four days. Maximum intensity. Minimal downtime. Then back to the desk.

It’s the cheat weekend, just dialled up to eleven.

The Real Spend Happens After Dark

And then there’s nightlife — where the numbers become properly interesting.

• 44% of bookings are driven by nightlife
• 57% of clients request VIP club tables
• Average spend per VIP table: £3,200
• 22% of tables exceed £8,500
• 6% go beyond £17,000
• Nearly four in ten bookings combine a yacht day with a club night
• 41% of table requests come in the same day

This isn’t accidental hedonism. It’s curated access. Controlled chaos. A perfectly timed collision of sun, salt water and sound systems.

The modern boys’ trip isn’t about excess for the sake of it. It’s about experience compression — distilling two weeks of freedom into 72 impeccably executed hours.

Why It Makes Sense

Men who operate at high levels professionally don’t switch off easily. So they don’t attempt to. Instead, they optimise leisure the same way they optimise business:

• Premium inputs
• Trusted operators
• Frictionless logistics
• Clear outcomes

A single flawless yacht day. A short, sharp villa stay. A table that guarantees entry, service and status. Then home.

It’s not backpacking. It’s not escapism. It’s strategic indulgence.

And perhaps that’s the real evolution. The modern boys’ trip isn’t about running away from responsibility. It’s about rewarding success — efficiently, unapologetically, and with very good timing.

Because if you’re only taking four days off, you’d better make them count.

Cycling apparel has traditionally lived in one of two camps: relentlessly functional or aggressively fluorescent.

Rarely does it feel considered.

That’s where PARIA has carved its lane. The Leeds-based disruptor continues to challenge what technical cycling kit can look and feel like, blending high-performance engineering with a distinctly street-informed aesthetic.

This isn’t just kit for the ride. It’s kit for the lifestyle that surrounds it.

At its core, PARIA remains committed to technical credibility. The latest release introduces a series of long-sleeve winter jerseys designed for cold-weather road sessions — insulating, durable and cut for serious mileage.

But crucially, they avoid the overbuilt, overbranded feel that so often plagues winter cycling gear.

The silhouettes are sharp. The detailing feels intentional. There’s an understanding of proportion that keeps the rider streamlined rather than swallowed. Warmth is achieved through construction and fabric choice — not bulk.

It’s the difference between dressing for performance and dressing like performance.

What sets PARIA apart is its refusal to treat cycling as an isolated activity. The brand recognises the ecosystem: the pre-ride coffee, the post-ride debrief, the social culture that sits around the sport.

Alongside its technical jerseys, the collection features heavy-duty lifestyle staples — pieces that transition seamlessly off the bike without feeling like you’ve forgotten to change.

This versatility reflects a wider shift in how performance apparel is consumed. Today’s cyclist doesn’t want a wardrobe split in two. They want garments that move with them — across environments, across temperatures, across contexts.

PARIA’s collaborative, artist-led approach also continues to differentiate it in a market saturated with heritage references and racing nostalgia.

There’s an irreverent streak running through the brand — a quiet nod to cycling’s subcultures rather than its podium moments. It feels contemporary. Grounded. Authentically Northern.

In an industry often dominated by tradition, that perspective matters.

The Future of Technical Dressing

The broader takeaway? Cycling apparel is evolving.

It’s no longer enough to be aerodynamic. Or waterproof. Or thermal. Modern riders expect design literacy alongside technical performance. They want garments that respect both their athletic intent and their aesthetic standards.

With its latest edit, PARIA continues to occupy that sweet spot between grit and refinement.

Because true performance isn’t just about how fast you move.

It’s about how confidently you arrive.

Some partnerships make sense on paper. Others feel inevitable. David Gandy as the first official face of Jaeger Menswear? The latter.

In a landmark move for the premium British label — available exclusively at Marks & Spencer — Gandy steps into the role at a pivotal moment, signalling a confident new era for Jaeger’s menswear offering.

Widely recognised as the world’s first male supermodel, Gandy’s two-decade career has been defined by iconic campaigns, global editorial presence and an unwavering association with modern British elegance. His appointment isn’t just celebrity endorsement — it’s alignment.

Gandy becomes the visual embodiment of Jaeger Menswear, presenting a refined yet effortless vision for SS26. Crisp silhouettes. Purposeful layering. Soft, foundational hues. It’s tailoring with intent — never excess.

His own words underline the synergy:

“I’m delighted to be working with M&S again at such a significant moment, as the first face of Jaeger Menswear. Our shared commitment to quality and British style has delivered great success in the past. Jaeger is a brand with a remarkable heritage and a modern vision that aligns perfectly with my own approach to menswear.”

Jaeger has long been synonymous with elevated tailoring and exceptional fabrication. Under the M&S umbrella, the brand continues to sharpen its premium focus — refined wardrobe essentials, considered cuts and fabric choices that justify the label.

The timing is deliberate. M&S menswear is experiencing sustained growth, driven by renewed attention to quality, fit and contemporary design. From sharp suiting to everyday staples, demand for elevated essentials continues to rise — and Jaeger is leading that charge.

With Gandy front and centre of Jaeger’s visual identity, the brand is speaking to male customers in a sharper, more fashion-forward tone.

If there’s a hero piece for SS26, it’s the Italian pale grey wool-rich suit with a whisper of cashmere. Tailored, streamlined and quietly luxurious, it reflects today’s hybrid lifestyle — equally at home in morning meetings or evening drinks.

Wear it buttoned-up for the 9-to-5. Or, as Gandy demonstrates, pair it with a classic white T-shirt for relaxed authority. The message is simple: sophistication doesn’t require stiffness.

Gandy and Jaeger feel cut from the same cloth — British, assured, refined without theatrics. It’s menswear built on core, considered pieces designed to work as hard as you do.

And in a market increasingly drawn to quality over quantity, that feels less like nostalgia — and more like the future of British style.