For the last few years we’ve had the notion of this is, ‘The year of the Beard’ force fed to us and having to endure endless images of ultra cool hipsters, not just confined to select areas of East London either, displaying flowers in their facial hair or growing beards longer and bushy then Merlin’s grandfather. Well the end does, I’m glad to say, seem to be in sight, I’m not calling for all beard wearers to be ceremoniously rounded up and slaughtered in a King Herod styleee, one step too far. I mean some of my best friends possess some of the finest examples of facial hair this side of Hoxton Square and that’s just the girls(permission to laugh now, granted).
Those clever lil boffins over at Braun have come up with the CruZer5, with this wonderful gem of a gadget designed with a powerful triple action float system, making it the perfect choice for getting rid of unwanted facial hair at the touch of a button. The product also comes fitted with an integrated precision trimmer to create precise contours or add some sharp edges to help define your style, head-to-toe.
Braun Creative Director, Fabio Vivan, added:
‘Male grooming has developed into so much more than simply removing hair; it’s a means of expressing your overall style and identity. Braun’s grooming products are the perfect tools for every man to achieve their desired image.’
The three main attributes to the CruZer5 are that with its powerful triple action float system, the CruZer5 clean shave is ideal for getting rid of unwanted facial hair at the touch of a button. The twin foils and integrated middle trimmer shave progressively closer while at the same time are being kind and gentle on your skin.
Plus, if you don’t want to go totally clean shaven, it comes with an integrated precision trimmer to customise your style. Lastly, whether in or out of the shower, it’s up to you. The CruZer5 is completely washable and totally Waterproof.
We arrive in the final destination on our round up of the male Fashion weeks for Autumn/Winter 2015. Bonjour Paris and we start the proceedings off with a brand not short on that certain Je ne said quoi, yes Louis Vuitton and what a way to start. Kim Jones just seems to be going from strength to strength during his tenure with the Luxury Power house. He drew his inspiration this season, on a personal hero, in the shape of British Designer Christopher Nemeth who was relatively unknown outside of Japan. He interpreted four of Nemeth’s signature prints and at the same time managed to work them expertly into the Vuitton aesthetic, that only he could have achieved to such a high level. Once again leaving everyone, a baited for next season to see what magic he may conjure.
Next up, onto a designer who left me agog with the beauty of his collection, Junya Watanabe, who based the look of his Autumn/Winter 2015 collection on the sub culture of the ‘sappers’ the nattily dressed gentlemen from the Congo. Think, those immaculately dressed dandies of 1930’s Harlem in their Sunday Best fit for Church and an audience with God himself. Nonetheless, this was no retro obsessed collection, this was modernity personified.
Then to Riccardo Tisci’s Givenchy, we saw a departure from the sweatshirts and Tees which have made the Fashion brand such a favourite of the likes of Professor Green through to Kanye West in recent years and a move towards the formal roots of the Parisian house. However, this was a dark and eerie at time unnerving presentation by Tisci and the Devil was literally in the detail.
Kris Van Assche for Dior Homme, seemed to run his show in reverse this season opting to start the presentation with formal attire in tuxedos in various forms then moving between smart and smart casual throughout. Mixing that juxtaposition of high formal then throwing in denim, a baseball cap, trainers or maybe even all three, just because he can.
Next we have the Luxury house of Luxury Houses, Hermes offering a Masterclass in the modern male’s wardrobe and what it SHOULD contain for every possible eventuality, whether that be a business meeting or what to wear for that all important down time, Veronique Nichanian had it covered to a tee, T-shirt that is.
Like Hermes, Alber Elbaz over at Lanvin did his take on what a the contemporary man needs for his functional wardrobe. He divided it into uniform sections which included, pinstripes, tweeds in grey, country plaids, army coats and military jackets.
Penultimately, we have Sir Paul Smith flying the flag for British Sartorialism on the continent. Like so many brands this season he too has adopted the maxim of Orange is the new Black or maybe he’s been watching too much Netflix, either way we have seen everyone from Christopher Raeburn to Missoni, Moschino and Vivienne Westwood all take on the sunshine hue. Smith looked back to move forward this season and saught his design team to plunder his archive of decades of hoarding.
What a hard act to follow and talk about going to the other end of the Style spectrum, next up is Jil Sander, debuting Rodolfo Paglialunga first menswear collection for the label, his voluminous trousers might not have been everyone’s cup of cappuccino, but there is no disputing his mastery in Outerwear and offering a coat to suit everyman.
Onto an award winning American designer in Michael Bastian choosing to show his signature collection in Milan, which was quintessentially US Preppy Chic at its best. One could almost say a rival in the court of Ralph Lauren himself.
Next up a fellow Yank, more known for his Rock Star edge then Ivy League, John Varvatos channelled his inner Doris Stokes to summon up incarnations of Bob Dylan. This was a sterling collection for Varvatos offering a highly wearable but in no way boring look in a completely autumnal, sorry Fall like, colour palette.
Onwards to Bally then and WOW! Designer Pablo Coppola, looked to one of my favourite films for inspiration in Wes Anderson’s “The Royal Tenenbaums” and did not disappoint. Far from being a literally take on the film, not one headband in sight, OK the occasional tennis shoes, Coppola used this reference as a starting block for his collection and then built upon it, in a truly LUXE manner.
As sure as the Italians love Pasta, so to do Dolce & Gabbana love dipping into Italian culture for reference points. Last season it was the Spanish influence on Sicily, which for them was pretty damn loose, but this season the duo drank long and hard from the cup of vino and focused their attention on Il Famiglia. From the Holy Family to the traditional portrait of an extended Italian Family with Mama and Papa.
Flying the flag for the British contingent is the grand Dame herself Vivienne Westwood, who took a rather unusual muse, for her punk heritage ways, in the shape of HRH The Prince of Wales. The show started off rather tamely enough, in what could be described as Westwood’s take on Savile Row Tailoring and how in her mind she would probably dress Prince Charles if he was a regular customer of the Queen of Punk. However as the show developed, it became less the Princely figure we all know and more a character in Dame Viv’s reality of the world, including this brilliant suit complete in Pound note print. Gawd Bless her !
And from Viv we pass the mantle onto Italy’s very own Grand Dame, Miuccia Prada, who I never knew was a fan of the early 90’s Manchester Music scene as her male models looked highly reminiscent of Bez, Ian Brown, even an Ian Curtis for good measure was present. Like the fashions of this time where we saw lads and lassies wearing a unisex uniform, Prada showed not only her Menswear collection but her Womans Pre-Fall together. No not a pair of Joe Blogs Flares or tie dyed hooded top in sight but reference aplenty to Prada’s Nylon period of the 90’s.
Lastly, we have Marc Jacobs, no longer preoccupied with his Louis Vuitton duties, Jacobs can now plough all his energies into his own brand and for this Autumn/Winter 15 and he was very much in a dress down Friday sorta mood. For this season, even in the most formal of look he managed to give them a casual feel the most moody of teenagers would be proud of.