There’s something reassuring about a brand that knows exactly what it is. Since 1966, Sergio Tacchinihas occupied that sweet spot between sport and style—clean lines, considered detailing, and just enough attitude to make it matter. Fast forward to now, and that legacy finds fresh expression through a continued collaboration with Richard Ashcroft—a man whose wardrobe has long spoken fluent modernism.
Following the sell-out success of last summer’s capsule (and yes, the one that disappeared almost as quickly as it appeared), the second drop lands with quiet confidence. This isn’t about reinvention—it’s about refinement. A continuation of a conversation between music, memory, and menswear.
If you understand mod culture, you understand the parka. It was never just about practicality—it was preservation. Protecting tailoring while tearing through city streets on a Vespa, those original silhouettes became symbols. This latest collection taps directly into that lineage.
The Dario jacket leads the charge. Military in origin, modern in execution. Cut from premium cotton canvas, it carries the hallmarks you’d expect: functional pockets, a concealed zip, a hood that actually means business. But it’s the details that elevate it—subtle gold hardware, refined camouflage, and that knowing nod to authenticity with the optional ‘RA’ name tape. It’s less costume, more continuation.
Some pieces arrive. Others arrive again—because demand insists. The Ashcroft Track Jacket is firmly the latter.
After Oasis Heaton Park concert 2025—where Ashcroft stepped out in the now-iconic white version—the piece took on a life of its own. Clean, athletic, unmistakably retro. It sold out in days.
Now it returns, just as Ashcroft gears up for another UK tour. The formula remains intact: that signature gold monogram, contrast panel detailing, and a silhouette that sits perfectly between terrace and stage. New colourways—sky blue and olive—add depth, but never distraction.
It’s worth noting the restraint here. No over-branding. No gimmicks. Just a quiet confidence that comes from getting it right the first time.
This collection understands something many don’t: modernism is about discipline. The internal “Music is Power” detailing, the anniversary label marking six decades of Tacchini, the retro zip pulls—these are not afterthoughts. They’re the point.
Accessories follow suit. Bucket hats and side bags round things off without tipping into excess, reinforcing the collection’s core message rather than diluting it.
This collaboration—facilitated through Bravado—doesn’t shout. It doesn’t need to. It leans into heritage, music, and subculture with a clarity that feels increasingly rare.
Because at its heart, this is not just about clothing. It’s about identity. About recognising that style—real style—isn’t seasonal. It evolves, yes. But it never forgets where it came from.
Minimalist. Modernist. Timeless.
Just as it should be.
