Christopher Raeburn Archives - CLOTHES MAKE THE MAN

We start this season’s round up of all matters of a Sartorial nature in London and what better place to get the ball rolling than at an honest to goodness PUB QUIZ !!! OK with a rather stylish twist to it, in that it’s compare was Hacienda DJing Legend Mr Elliot Eastwick and it was organised by the Savile Row Tailoring trailblazers that are Cad & The Dandy, only in London.

TOPMAN DESIGN

Bright and breezy, otherwise known as flipping freezing, start to the day, but a warm reception was waiting at the TOPMAN Design show which was piled high with Northern Soul references, like being at a Wigan Pier Weekender. There was nods to The Bay City Rollers, Mark Boland right the way through to James Hunt and any show that finishes with Crazy Horses by The Osmonds is a winner in my books.

I was spoilt for choice on the first day of LC:M with a number of fave brands showing their wares but high points had to be David Keyte’s Universal Works, offering us a conceptual performance, which can go either way for me. But it didn’t disappoint, working on the principle upon which the brand is founded, the idea of Passing on, not in an deathly kinda way but how clothing can be passed on from being old to young and in doing so can be reinvented and reinvigorated.

One of my overall highlights of the entire schedule has to be the Barbour Presentation, which showcased the second season of their wonderful collaboration with the Japan company White Mountaineering, best summed

Barbour

up by the unique, Thank God, Mr Richard Gray, of The Sunday Times STYLE;

“I guess this collab is Tokyo cool meets Prince Charles or something like that. I spoke to Aiwaze San the designer of White Mountaineering, who told me the wax you see, which makes a Barbour jacket waterproof, was the Gortex of its day. And, in fact, it works as well as any new scientific development. Including Gortex. I look forward to the day the Royal Family wear White Mountaineering.“

Hackett

Then what a way to finish off the first day then to head over to one of London’s hidden architectural gems, No 2 Temple Place for a spot of dinner and to look at some exquisite attire by none other than Hackett, entitled, ‘Sheep, Shape and London Fashion’, this capsule collection paid homage to the prestigious longstanding textile mills of Britain. The 12 looks were an amalgamation of different checks and patterns in the finest British wools.

The second day started off with a great breathe of fresh air in the shape of the LC:M Exhibition, this never fails to impress me and I always fall head of heals for at least one brand this season my head couldn’t help being turned by the wonderful Gloverall and then the cashmere delights of ESK, this just has to be British craftsmanship at its best. And from one great example to another with Mr Nigel Calbourn who is never swayed by the short lived trends of Fashions but driven by inspirational stories of real people in history and vintage military, outdoor and work wear pieces.

Over then to Fraser Moss and YMC and once again I search the counsel of the ever wise Ms Sarah Gilfillan, contributor of this wonderful publication and founder of Sartorialab.co.uk ;

“I’ve always loved their simple understated look, and I particularly liked the clever layering and outerwear. The mixture of taloring with sportswear inspired pieces like the drawstring trousers takes me right back to the 90’s when they first started .I find their collections are minimal enough in design to appeal to the everyday man but they always have a subtle point of difference so they’re never boring. I have no doubt I’ll be buying many of these items with my clients next season and I can’t wait!”

Hardy Amies

Moving on to a brand which, to quote Messers Daft Punk and Williams, “Like a Phoenix from the ashes” WOW I can quite simply sum the Hardy Amies collection as, Beautiful clothes, where you find yourself wanting piece after piece.

Christopher Raeburn

Much like Mr Christopher Raeburn, who like Nigel Cabourn draws greatly on the great outdoors and nature in all its beauty for their inspiration and once again he does fail to impress. This season utilising Royal Navy rafts as his material of choice.

Belstaff

Now stay with me here, but I had my reservations when I headed towards an underground car park, not a million miles away from The House of Commons. Surely I must have taken a wrong turn, it wouldn’t have been the first time and this can hardly be classed as a glamorous setting for a stylish presentation for a brand like Belstaff ? Well, as I see Fashion Royalty like Ms Suzy Menkes, Mr Edward Enniful and Ms Caroline Rush spilling out of it, I can’t be wrong. Belstaff, took its inspiration from the ‘Ton-Up Boys’ of the 1950s. Heavily into their rock‘n’roll and motorcycles, these ‘greasers’ would rendezvous at cafés and attempt to ‘do a ton’ (exceed speeds of 100mph) on their custom-made bikes, both fearless and reckless in their stylish pursuit.

Casely-Hayford

Moving into the straits now we had a blinder of a show from Father and Son duo Joe and Charlie Casely-Hayford. Set to a sound track of Bjork and Bowie a tribe of Stylish Outsiders did the honours for u. Mixing Oranges and Pinks seamlessly with Blacks and Navy to create a riveting colour palette.

E.Tautz

Opening to a surmon by his Holiness Pope John Paul II isn’t the most obvious start to an E.Tautz show but give Patrick Grant his dues it certainly got the audience’s attention in what Grant called his most personal collection so far, for the Savile Row house. Every coat and piece of outerwear he sent out was one you lushes and craved for already, no brights or pastels for Grant this season only monochrome in his highly wearable colour spectrum.

Tom Ford

Now here’s the battle of the big boys of LC:M, the Texan and the Yorkshire lad, up first we have Tom Ford who showed us a much more causal side to him, which I have to say I’d really not expected to see which included jeans and trainers, I lie to you not ! Then we have Christopher Bailey in the Burberry Check corner, offering us Classical Bohemian in ponchos, florals and paisley, fresh off a hazy trip back in time to India.

Well, there you have it for another season next stop Milan, ding, ding !

In the latest of an increasingly must have exclusive line of collaborations, hosted by uber e-tailer MRPORTER.COM is with, what can only be described as the hottest role call in young British Menswear Designers. The likes of Agi & Sam, Craig Green, Christopher Raeburn, Matthew Miller, Katie Eary and Sibling have each designed a pair of shoes, made by heritage footwear brand Grenson, which will be sold exclusively on MR PORTER.

The Grenson factory in Northamptonshire was founded in 1866 , and was the first in the world to employ the “Goodyear welt” method of construction, a technique that has become a hallmark of all well-made British shoes. In 2005 Tim Little joined the company as Creative Director to revitalise the brand and with the launch in 2006, of his easier, altogether more modern take on traditional English shoes, introduced Grenson to a whole new generation of men.

Taking the multiple styles on offer within the Grenson G: Lab programme, the designers have applied their very creative and individualistic vision to a mix of boots, brogues and loafers. Agi & Sam’s shoe uses three different types of black leather on a thick crepe rubber sole, while Katie Eary has created a cobalt blue double monk. Craig Green has taken an all-black brogue and added a utilitarian elastic strap fastening and chunky tread, and Matthew Miller has given a black derby shape a crocodile-effect treatment. Christopher Raeburn’s contribution is a military inspired boot, and Sibling’s trademark use of colour is evident in a pair of sky blue penny loafers with bright pink lining.

London has well and truly established itself as a destination on the menswear calendar as a Fashion & Style capital. So as that international Fashion circus of journalists, retail buyers, celebs and, well yours truly, all conjugate in major cities in the name of observing the trends and future wares of some of the biggest & most talented fashion brands in the world, Clothes-Make-the-Man brings you all the best reviews, titbits & opinions over the coming weeks. Enough of this, first up on the London Schedule is the exhibition as I, rather out of character, arrived early. So I took myself off to have a look around, which in the past have proven to be a greater source of inspiration than many of the show, this season was no exception. With the likes of a Common People, Lyle & Scott and Universal works all offering GREAT Collections for Autumn including collaborations with Jonathan Saunders and the aforementioned Universal Works for Lyle & Scott, all managing, very well, I hasten to add, to produce very creative collection all the while managing to be highly commercial.

An example if Jonathan Saunders for Lyle & Scott

Onto the shows for me, my lad and first up is TOPMAN. You never quite know what to expect from TOPMAN Design and this season was no exception, the show can be summed up in three words Mature, Desirable but above all Wearable. With a very muted colour palette of Black, Navy, pale blue and flashes of Russian Red. If those guys over at TOPMAN HQ are planning on targeting an older the customer, they won’t have a problem enticing him. Plus with the dulcet tones of John Copper Clarke and the downpour of rain in the finale, it brought me right back home to my Northern roots.

TOPMAN Design

Next on my hit list is Gieves & Hawkes and the subject of yesterday’s textual Conversation, Mr Jason Basmajian, who just so happens to be the house’s new Creative Director, making waves in all the right places. Jason, informed us his profile that he was going to offer us an, “Elegant,textural, tailored, rich, Savile Row revisited, British twist”. Which quite simply summed up the collection.

Gieves & Hawkes

Now, talk about ends of the spectrum and what is becoming a real USP for LC:M is how it manages to go from the tradition and finesse of Savile Row to young designers offering the height of creative inspiration. One in question being the wonderful Richard Nicoll, who from season to season just seems to be getting stronger and stronger when it comes to his Menswear. Only four seasons in and Nicoll’s presented to us, what can only be described as a riot of Colour. If I had to fit it into a tweet, I’d say, A modern interpretation of the urban man’s wardrobe.

Richard Nicolls

Last, but by no means least of today’s round up, is Christopher Raeburn, who was one of a number of Designers who picked up on the Polar Explorer vibe in their collection, it was a seriously cool show which Mr Raeburn laid on. You were left thinking, did he know something about the weather for next season that we didn’t which was rather apt as we read about our freezing American cousins who were experiencing record low temperatures.

Christopher Raeburn

One could say how do you follow yesterday’s post
regarding the first half of SS14’s London Collection:Men
(sorry still don’t like the name), well the answer is simple with
the likes of Alexander McQueen, Oliver Spencer, Burberry and
Paul Smith. And so lets not waste any more of either of our time
and get underway with one of the aforementioned style giants,
in the form of the house of McQueen. Like yesterday, as I said,
rather then me churner on giving my twopence on every John,
Dick & Agi, I’ll let the leaders of the Style pack give it
to you. This time round Lee Holden, leading Menswear
Stylist gives us his take on the
Alexander McQueen Menswear show….
“It was great all black and white. Lots of surface
texture. Overlaid lace on suits. Brocade in black and white.
Edwardian silhouette. Long line jackets. Loads of parallel silk
shorts with cinchers on the sides of the knees”.

So from the royalty of McQueen we head to the equally regal
Oliver Spencer, with the PR’s on the
door whispering of a surprise and with Jesse Metcalfe, Dermot
O’Leary and David Gandy (of course) sat FROW the show can begin.
But who’s that walking to the Decks strategically placed in the
centre of the catwalk ???? None other then blicking, Luther
himself, Idris Elba !!!!! The show gets underway with as always a
character filled show, including Wretch 32 modelling. The
inspiration for this season’s collection was the early graffiti
work of the 1980’s Neo-expressionist painter Jean-Michel Basquiat,
with a colour palette of Faded Red, Amber and Sky Blue, anchored by
Navy.

Then its the schlep over to the banks of the River Thams and
Old Billingsgate Market, for the
Hackett show. All things 1960’s proved
to inspire Jeremy Hackett for this Collection, particularly the
work of iconic photographer Terry ‘ONeill, who has shot the Autumn
13 campaign for the brand. Plus the French illustrator René Gruau’s
work, but the standout point for the show has to be the full 38
piece Orchestra of the London Philharmonic supplying the score for
the show ! The Clothes, like Gieves offered us a holiday wardrobe
this more Rivera style, with lightweight summer tweeds, dog tooth
checks, turtlenecks and playful patterns and colours.

Into the straights now for the final furlong of LC:M and onto the great man
himself Sir Paul Smith and all I can
say is what an honour to have him personally take me through the
collection himself. He explained to me his Best of
British range and the unique suits that only Paul Smith
could do, in simply the most amazing fabrics that he worked on very
closely with the Yorkshire mill Joseph Clissold & Son.
While we were talking he was telling me about how they had re-make
some vintage pieces from the Paul Smith Archive for Matt Smith’s
Doctor Who costume, but he wouldn’t be drawn on who he would like
to see filling those shoes, maybe its him !

So feeling slightly dizzy with going back and fourth around London, we head back to
LC:M HQ in Covent Garden to view the wares of Marks
& Spencer’s Made in Britain collection. SS14
will be the second season for this range and its hard to see how
they can build on the preview which they gave us of the Autumn
collection, to hit stores in September. Well they blooming well
did, my favourite pieces were the umbrellas which took all my will
power now to try and snaffle one for this inclement “summer”. The
bags not only looked but felt well beyond their retail price and
the Scottish Cashmere in the Modtro tailoring inspired by their
Leeds Archive was inspired.

The designer of the next show was the
subject of last season’s profile, Mr Christopher
Raeburn, still gains inspiration from nature and the
great outdoors, though this season he explores the notion of
protection, focusing on the men of the Long Range Desert Group. A
reconnaissance and raiding unit from World War II who experienced
the extreme conditions of the desert environment. Raeburn brings an
element of modernity to tailoring for his latest range, as
sportswear is blended with the former.

Another Christopher up next
but this time its Shannon rather then Raeburn and it’s the turn of
the inimitable Mr Richard Gray, Associate Fashion
Director of the Sunday Times Style to give his
unique take on Christopher Shannon’s
collection…

“This is the next level, la!
I’ve got middle-aged man-tits and grey riah and wanted it ALL. Will
have it all. That doesn’t mean it’s for old lads, it just means
it’s opened up to more people.

1. The colour – did a lil sex-wee over
it.

2. Collars in
colour – recalcitrant teen in court, circa 1974. Want to be
him.

3. The Junior
Gaultier-y branding and stars. SOLD!”

OK then, that brings us so nicely to not only the penultimate show of the review but what has to be
the most exciting and awaited, as Christopher Bailey brings
Burberry Prorsum home to the UK to
show its SS14 Menswear collection and lets just say it didn’t
disappoint. I have to admit, I am a Johnny come later fan of the
work of Bailey and I’d sit through numerous Burberry shows in Milan
and listen to Journalists and Stylists tell me about how great the
show was and I’d think I don’t get it. Then akin to St Paul on the
Road to Damascus, I had an epiphany moment and haven’t looked back.
This collection was a cracker, of course inspired by David Hockney
and like Hockney the use of colour, whether is be with the watches,
sunglasses or any garment was genius. Keep up the good work Bailey
and heres to seeing you back in London again in January.

And so it is the end of the third London Collections:Men, getting bigger and
better each time, a bit like my blisters and who may we see on the
schedule for next season ???? Vivienne Westwood maybe, Neil
Barrett, possibly maybe ever a count of our international cousins,
who would be very welcome in the cold that will be January 14 ! But
hold you horses, we have one more show and for us at
Clothes Make the Man, a blinder of a
designer and the subject of this season’s profile. Mr
Patrick Grant for
E.Tautz. Patrick takes us on a journey in and
around the many ethic cultures that call London home and make it
such a cosmopolitan hotbed. From the Bangladeshi community of East
London to A Japanese man who reads his book wearing a traditional
robe as Grant cycles past in King Edwards Park. All groups
retaining parts of their over clothing identity but encompassing
parts of their new home, normally height duty coats to combat the
environment of the UK. Grant managed to bring in all of these
factors and make them work as part of one solid collection.

(shot by Surgery TV a new fashion TV channel by Surgery PR)

Ok, before we start this morning I’ve a bit of a rant to get off my chest and I think it probably best put in the quote I’ve given to couple of publications, when asked to give my opinion on some of the more out there menswear shows we’ve seen this week during LC:M ;

“For Menswear designers today it’s increasingly difficult to obtain Media coverage so they know that, if they do wild and wacky pieces or collections they will achieve this. Very little has been spoken in the mainstream press about Agi & Sam who also were part of the MAN show, which included Craig Green and his, how can I put this, original face protection. This duo presented a great balance of directional and wearable clothing. Additionally, Oliver Spencer, Hackett, E.Tautz, Nutters of Savile Row or Matthew Miller, who all offered stand out collections that, virtually, any man could wear and look stylish and yet they receive very little column inches. It’s far easier to write negative articles about how crazy and mad Mens Fashion is even though the Fashion industry is worth £21bn to the UK economy.”

Jonathan Saunders AW13

OK end of rant, but I just find it sooooooo boring and lazy when people rip into Menswear, normally journalists who have very little experience of it and belittle and humiliate it when it’s a multi-million pound industry that is essential to the global economy and keeps millions of households in jobs every year alone.

Right then eyes down for round two and first on the agenda is Mr Jonathan Saunders, more known for his womenswear, this Scot is making real headway now with his Menswear. He drew his inspiration from the worlds of Op art, classicism and the Thin White Duke-era David Bowie, rather apt and maybe a good luck omen as it was Bowie’s birthday on this day. It was pleasant to see a collection which was so full of colour. My particular favourite piece was this harrington jacket in a gradation of colour like the sky at night when flying.

Richard James AW13

Over then to the re-furbished Cafe Royal for the Richard James Show who celebrates 21 years in the biz in 2013 and as you would expect showcased exceptional suiting and great re-working of the classic tuxedo in iridescent tones. According to the press release is was inspired by a unique fixture of London living that abounds with a curious, colourful life of its own. OK must have missed that but it was a great show.

Our next port of call was a Presentation called The English Gentleman at the Spencer House, which featured a mix of models dressed by Savile Row’s finest tailors. Forty different outfits were shown, spread through seven of the splendid rooms of London’s preeminent private palace. This essentially was a chance for Savile Row to, quite rightly, show off to the foreign press and just reiterate just how good at tailoring the UK is.

A mad dash ensued chasing round to attend a number of shows and presentations until the main event of the night, Alexander McQueen. Sarah Burton brought McQueen’s unique style of Gothic drama back to the UK and not since the Demeter carried Count Dracula to these shores have we seen such mystic. The models general demeanour was that of a rather demonic Max Headroom and the collection carried many of Burton’s trademark pagoda shoulder.This is something that won’t be to everyone’s likings, but there is no mistaking the sheer theatre of this collection.

The end of the Fashion world is nigh, well at least for London anyway before, its Milan’s turn to take on the baton. The subject of yesterday’s Post Christopher Raeburn started the final day of LC:M. Actor Russell Tovey, DJ/Presenter and face of Burton Menswear Reggie Yates (plus stylist Brother Cobi) Ohhh and we mustn’t forget Style Ambassador Dave Gandy all sat front row. Raeburn, invited us into his ethical world of outdoor pursuits, recycled and masculine menswear, with my personal favourites being his deconstructed checked parka with matching duffel bag.

E.Tautz AW13

A hop, skip and a jump over to join Patrick Grant at E.Tautz, here he offered his usual top class formal attire, where he perfectly blends the timeless traditions of Savile Row, yet manages to always deliver a bang up to date range. E.Tautz is one of those shows where you catch yourself thinking, want that, and that ohh and that. Keep it up sir.

Katie Eary AW13

Up next can only be described as an assault on your senses, almost a styling mugging, one could say. Kate Eary, managed to mash-up colours, patterns, prints and trends all without making look like some street wear dogs dinner. Everything from the styling to the music all worked in Eary’s favour. If you were feeling anyway jaded before you certainly felt lifted after that.

Lastly, what is starting to become LC:M’s equivalent of those memorable collaborations from the Brit Awards, like Dizzee and Florence, Justin and Kylie or Mick and Sam. Last year we saw Timothy Everest hook up with Superdry. This season we see the legendary Nutters of Savile Row team up with casual wear brand Peter Werth. These unusual bed partners came together while working on the wardrobe for the forthcoming film “Northern Soul”. The collection paid tribute to the archive of Tommy Nutter, oversized lapels, roped shoulders and wide leg trousers but mixed this with modern tailored sportswear so as to prevent it looking like a 70’s themed party. All these elements came together as a fitting an rip roaring finale to AW13’s LC:M, leaving just one question, how do you top that ?

London Collections:Men – Highlights – Autumn/Winter 2015

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London Collections:Men Show Review Autumn/Winter 2014 Pt I

London Collections: Men SS14 Shows Review Part II

London Collections:MEN Autumn/Winter 2013 part II

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